The article examines Nabokov’s theory and practice of self-translation in three paradigmatic cases: the novel Laughter in the Dark, the short story “Vozvraschenie Chorba”, and the autobiography Speak, Memory, self-translated into Russian as Drugie berega (1954), re-written in English in a revised and extended edition in 1966, and somehow completed in a fictional text titled Look at the Harlequins! (1974).

Self-Translation in Nabokov’s Fiction: Three Paradigmatic Cases

Michele Russo
2020-01-01

Abstract

The article examines Nabokov’s theory and practice of self-translation in three paradigmatic cases: the novel Laughter in the Dark, the short story “Vozvraschenie Chorba”, and the autobiography Speak, Memory, self-translated into Russian as Drugie berega (1954), re-written in English in a revised and extended edition in 1966, and somehow completed in a fictional text titled Look at the Harlequins! (1974).
2020
Self-translation, Nabokov, novel, short story autobiography, autobiography
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.12317/73388
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact